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Showing posts with label Flashpoint. Show all posts
Showing posts with label Flashpoint. Show all posts

Jun 3, 2011

Latest Comic Book Reviews (06.03.2011) - Flashpoint #2 | Moon Knight #2 | Fear Itself #3



I would say this is a pretty nice week for superhero comics.

Issues from the biggest comic book "Houses" going at it for crossover and storytelling supremacy with the 2nd installment of DC's universe-altering "Flashpoint" up against the third part of Marvel's mega-event "Fear Itself", while Brian Bendis and Alex Maleev tries to improve on their work on Moon Knight.

Do they all manage to impress?

All my reviews after the cut.

**MAJOR SPOILERS AHEAD!!!**


 Moon Knight #2
 Written by Brian Michael Bendis
 Art by Alex Maleev
 Colors by Matthew Wilson
 Publisher Marvel Comics 

Opening this 2nd issue was a little bit of a surprise. We see Captain America, Spiderman and Wolverine again conferring with Moon Knight about strategies before "they" infiltrate an illegal establishment that could lead them to the main villain of this adventure. The reason why they is in quotes is because of the realization that Moon Knight wasn't actually speaking with the three Avengers:

It's just his multiple-personality shebang taking over. Yes, Marc Spector is in fact - talking to himself. 

This is a great idea I thought at first. Now MK has Cap, Wolverine and Spidey all in one helping him break down different fighting and espionage methods needed for this mission, and that could only mean a good thing right? But it got so messed up when Bendis' put our white robed hero in the guise of Spiderman himself as he attacked in the open.

Wait... what? Yes folks, Moon Knight is Spiderman... or rather, Spiderman in a Moon Knight costume. I'll give you 10 seconds to process that one in your head.

Ok, got that? Here's another: not only MK is playing Spidey dress-up, he is also shooting-webs and talking shit like he was Spiderman. To make things worse, claws went out of MK's webshooters, started to growl and for another duration of the ensuing fiasco, he is Wolverine! I could have just got a "Wolverine" or an "Amazing Spider-Man" issue and read it instead of putting up with this. It's awfully-hilarious. Words escape me.
 
And to point another thing, Bendis didn't even give any explosive or shocking revelations that could make this story more interesting. Its the 2nd issue and readers need to know what is really happening here, who is this kingpin we're supposed to know and what his motives are. Sadly, still no hints or whatsoever.

The only bright spot here is Maleev's drastic art improvement. He's got better facial expressions, clear sequential storytelling, nice paneling and great action scenes. Gone are the recycled and repetitive illustrations and sketchy lines. Hopefully he continues this and even make a better job next time because Bendis' script is seemingly out of place right now, and a little saving grace will always be helpful.

Rating:


Fear Itself #3
Written by Matt Fraction
Art by Stuart Immonnen and Wade Von Grawbadger
Colors by Laura Martin
Published by Marvel Comics

Just started catching up with this one a couple of hours ago after reading the Prologue, the impressive first issue and the slightly okay book two that had my interest dwindling a little bit.

So here we are with Fear Itself #3. Can Matt Fraction quickly bring back the lost momentum of this mega-event and fill-up the large plot holes in the process?

Just like my previous review on Moon Knight, F.I.#3 barely gives us any indication of when the real fight is going to happen despite Skadi's attack against the Avengers in D.C, the rampage of the Serpent's Worthys in different parts of the globe, The Thing transforming into one of the Worthys as "The Breaker of Souls", and a certain Thunder god's return to Midgard. 

Curiously, the supposed main antagonist - the so-called God of Fear himself - is actually missing in this issue, with no single hint of where the hell he is and what he is doing. And where is the actual "fear"? We have yet to see the ordinary citizens and our superheroes cower helplessly in terror and fear, and I'm starting to feel like this is just an ordinary superhero story that has nothing to actually do with "Fear Itself."

 Immonen and Grawbadger's team continue to deliver in the art department, showing more detailed illustrations together with gorgeous sequencing. There are a little flaws with the inking in some panels, but that doesn't affect the overall beauty of their images. Laura Martin's superb coloring makes it even more lively and I have to say - this team really gets the job done each and every time. Here's a good sample:

The Thing destroys everything after he transforms into one of The Worthy.

I believe that the incredible art is the thing that makes readers coming back for more and Immonen and his gang should stick to what works and make it even better in the following issues.

Finally, if there was one thing that was truly noteworthy for Fraction, that would be everything in final 2-3 pages depicting the "death" of a certain Star-Spangled hero in the hands of Skadi. As usual in event books like this, there will be one or two casualties in the forces of good, and this one of the very first. And its a BIG one.

Poor Bucky. Dying without his robotic arm.

Questions loom as to whether Bucky will survive after a brutal ass-kicking, but clearly, there are more important ones needed to be answered halfway in this event. With just four issues remaining, Fraction has to quickly turn things around and make his story live up to its hype before it blows badly.

Pretty okay issue here despite the numerous plot holes. I'll give it...

Rating:



Flashpoint #2
Written by Geoff Johns
Art by Andy Kubert
Published by DC Comics


After a shocking reveal at the end of issue #1, fans we're left hanging with this question: Is this for real?

Geoff Johns clearly answered that with a resounding yes as we get a glimpse of Barry Allen's thoughts in a full page spread that shows him talking to the Flashpoint Batman, (and getting his ass kicked at the same time) when a vision of the past year suddenly dawns upon him - showing Emperor Aquaman and Queen Diana at war - and realizing that this is exactly the same DC Universe, only altered by the his arch nemesis, The Reverse Flash.

Its not the only thing Johns had in store though, he also shows us Flashpoint Deathstroke depicted as a pirate and the first ever full appearance of the Flashpoint Aquaman at the beginning. Wonder Woman makes her appearance as well and their both of their actions in this issue and the last one clearly shows that they are not the same "do-gooders" we are used to see. These are savage and ego-maniacal beings. Change is clearly upon the DCU.

Wonder Woman using the lasso on Trevor
One scene in particular symbolizes that change. The panel that shows Wonder Woman actually strangling his first love (in the original DCU) Steven Trevor depicts strong womanly violence and superiority, something that we have never seen in any WW incarnations. The same thing can be said with Aquaman showing his ruthless aggression on Deathstroke, as if he is going to impale him with his mighty trident.

Then Johns goes for the kill in the last panel, making me go "Oh shit" again as the image of an electrocuted and unconscious Allen - a result of  him re-creating the lightning accident that granted him his powers thinking he can probably get them back - splashed before my eyes. Great cliffhanger by John there. Now readers would have no idea on what's gonna happen next. 

Andy Kubert improves on his drawings for this 2nd issue, paying more attention to the smallest amount of details without sacrificing his main focal points and the appropriate facial expressions needed.

His sequencing is also way better than the first and he fully utilizes the spaces given to him to deliver his own sequential narrative in the most effective way possible. Kubert is a true master of the arts and he's proving that with his current work.

Only flaw is Johns' surprisingly slow writing because only few questions from #1 were attended to, and mainly because the hero Cyborg is nowhere to be found. But despite that, Flashpoint #2 in its entirety was a great, enjoyable read.


Rating:



Jun 1, 2011

'Flashpoint #2' Variant Cover: A Red-Head, Beheaded


I'm not really surprised. Publicity and marketing purposes.

Anyway, most covers don't really make it in the interiors. Meaning,  they don't really happen in the story.


Flashpoint# 2 is onsale June 8.

[via DCWomenKickingAss]

May 13, 2011

Latest Comic Book Reviews: Superman #711; Flashpoint # 1


Time for another comic book review and this time its two issues from DC Comics featuring their first ever "Flash-centric" event  that they have been hyping over the past few weeks, and the continuation of J Michael Straczynski's "Grounded" arc, now on its 9th season.

Before you click ok the jumpie link down there, let me note that the titles are rated by the number of stars I give them, with 5 stars being the highest. That means if a title gets a rare 5 stars, then that should be really m'effin good! 

Click on the jump for all of my reviews.



Superman #711
Story by J Michael Straczynski
Written by Chris Roberson 
Art by Eddy Barrows
Colors by J.P Meyer
Published by DC Comics


The Superman “Grounded” saga continues in this Part Nine of the Big Blue Boy Scout's “walk” all over America ., but this time, we get a little bit of a segway from the main plotline – as Big Blue tries to solve a big electrical problem  in Metropolis – in the form of suddenly crazy and erratic Livewire.


Though Robertson tries his best to offer some good ‘ol action scenes and make Superman look good by using a hostage-crisis as his plot device, the villain doesn’t offer that much challenge that Livewire just looked like a short “warm-up” for the indestructible hero. And much to my dismay, the fiasco ends because of an old-school “Benjamin Franklin” special from Jimmy, together with the return of a familiar blue-suit that many fans have loathed for so many years, and with Superman turning into  the “cliché- master” once again. 

The only positive side of this is, we don’t get the guilt-tripping Superman that I’m totally pissed about since this arc started. At the very least, he actually gets to do something her: saving off people, flying… and not walking.


Can’t complain much on the art which is actually the best thing this series has to offer.  It is clean, very well done and Meyer’s colors go side by side beautifully with the Eddy Barrows ‘ cinematic style illustrations and lay-outs. Hopefully these two hang on longer to this series because they’re doing a very good job on giving me something to appreciate and look forward to every month.


But here’s what I’m guessing the whole gist is about: this side-story was mainly done in order to insert Robertson’s and DC’s answer to the whole Action Comics #900 fiasco. Remember that big “issue” over the “Superman renouncing his US Citizenship” short story by David Goyer? Well, Superman has something to sayin the last page that should clear up the air once and for all... or maybe not (click image on the right).




Rating:  








Flashpoint #1
Written by Geoff Johns
Art by Andy Kubert
Published by DC Comics

And now we have the much-awaited Flash-centered event from the DC universe: Flashpoint.   

Geoff Johns is the one doing the penning for this one, so normally, I expected to get a very good issue to be honest (he's one of my favorite writers)... but to be brutally honest as well, Flashpoint # 1 didn't live up to expectations and all the hype courtesy of "the House that Kal-El Built".
Barry Allen (The Flash) wakes up to do his every duties as the hero of his city, but much to his surprise, he finds there is "something very much wrong" in his surroundings... and realizes that the present world is altered! His mom is alive, his wife Iris is ...no longer his wife, and  that nobody knows the Justice League, Superman or even The Flash! It seems that Barry is the only one who is aware of the weirdness of the situation and he prompts him to find the one person that could probably provide him answers: The Batman. 

As much as Johns' tried his best make me feel that what I'm reading is actually set in an alternate reality, it doesn't stick well to my senses and it was confusing from the get-go. Things just started to get a little bit clear when the issue went away from Barry Allen and focused on the second plot of the story in which Cyborg tells a red-eyed Batman that a superhero war between the forces Wonder Woman and Aquaman is about to destroy the world, and that he has to join and his "team" to stop the impending apocalypse.  A couple of new characters are seen as well in this part that clearly sends the message that you are looking at a totally different reality.
I applaud the idea of reinventing the characters from the current DC continuity, changing their looks a little bit, and giving them upgraded abilities to distinguish them from their main continuity counterparts. Like Cyborg for one, is depicted here as more technically advanced as shown by his ability to create holograms, while Batman has a different insignia on his chest and at the same time sports demon-like glowing eyeballs. Andy Kubert's art effects that a lot and his style justified the alternate reality spin that Johns' is trying to generate. The final full page-spread confrontation between Barry Allen and Batman is a very good example of that too. I went "fucking shit!?" after his "true identity" was unveiled on that one. 

Flashpoint's debut is not too bad, but not good either. Questions are left hanging and the I was left with very few answers at the finish, but hopefully the next 4 issues would aim to enlighten on what this event is all about, without forcing me to buy tons of other tie-ins which is usually a standard for major events/crossovers.

Rating: 


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